Gallery Ehva
daring and beautiful art

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Dear Friends,

Sorry, we're closed now.

I could not keep gallery open for more then one reason, but the biggest one was me. I did not feel I was strong (and smart) to contine. I needed rest: do nothing time, be closer to Earth, Sea, Sun, Sky, my cat Bikini and my dog Hana.

Do I miss it? Yes! I miss our dinners, painting Easter eggs, my freedom to do with our space whatever I wanted to do, I miss people, soup and bread openings... I miss our little "community".

Do I miss ART? Not now. I am fine having my hands dirty, working in my garden.

What I do now? Hmmm, little art, lots of cooking...

Who I am now? Rebel, definitely!

So, be well my friends and thank you for letting me love you. I know we'll see each other, sonner or later.

-- Yours, always, Ewa

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You can always reach me by phone, e-mail or mail.

Ewa Nogiec 508 487-0011
ewa@iamprovincetown.com

P.O. Box 675, North Truro, MA 02652

 


Art Is Good

Here are my friends:

 

Donna Dodson, Gallery Ehva

Donna Dodson

Bill Liebeskind

Bill Liebeskind

Gallery Ehva: Richard E. Smith

Richard E. Smith

Tracey Anderson
Midge Battelle
Bill Barrell
Rachel Brown
Arthur Cohen
Didier Corallo
David Ellis
Miriam Freidin
Joanna Gabler
Fred Garbers
Wendelin Glatzel
Irén Handschuh
Myrna Harrison

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Provincetown Artist Registry

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I am Provincetown

I am Provincetown...

Ken Takashi Horii

 

Ken Takashi Horii

Ken Horii, Visual Art Fellowship and Myron Stout Fellow, FAWC 1980-81; Visual Art Fellowship and Kenneth Stubbs Fellow, FAWC 1982-83. Today professor of Spatial Dynamics, Rhode Island School of Design.

2015

The images are eight-foot by five-foot drawings on paper from a series, "Temporal Architecture". The flat imagery in this series includes these two time-based schematics of layered architectural spaces in which the phenomena of space is graphically revealed as motion, sound, light, and tactility via diagrammatic unfolded and partially folded spatial forms superimposed sequentially upon each other in layers. Each layer is a room conceived in plan and elevation as accommodation for s choreographed movements, sound composition light and surface texture. The "lowest" or first floor layer is dance choreography forming a series of steps to timed repeats. A fundamental sound dictating one passage of this choreography in each schematic is the sound of breathing.

Work by Ken Horii

A Theory of Everything by Ken Horii

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Work by Ken Horii

The Tyranny of The Object by Ken Horii

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2013

Sculpture by Ken Horii

Ken Horii, 1000 Confinements #1 & #2, enamel on playwood and graphite, 24 x 14 x 8, 1998

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Ken Horii sculpture

2013 Ken Horii installation

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"Edo" sculpture by Ken Horii

"Edo" by Ken Horii, sumi ink on Baltic birch, 30 x 30 x 9, 2006

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Sculpture by Ken Horii

"Shalagrama" by Ken Horii, sumi ink on Baltic birch, 30 x 30 x 9, 2006

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2012

Work by Ken Horii

Ken Horii, Biformities

Sculpture by Ken Horii

Sculpture by Ken Horii

Sculpture by Ken Horii

Sculpture by Ken Horii

Sculpture by Ken Horii

Sculpture by Ken Horii

Sculpture by Ken Horii

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Ken Horii

Ken Takashi Horii

Ken explaining how he made his beautiful artwork: folding, staining with ink, burning holes...

Ken Takashi Horii

Those two pieces have 2 layers of paper... the red color you see through burned paper holes

 

 

 

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Art Is Good

Here are my friends:

Gallery Ehva, Nathalie Ferrier

Nathalie Ferrier

Alicia Henry

Alicia Henry

Daniel Dejean, Gallery Ehva

Daniel Dejean

Gallery Ehva, Janice Redman

Janice Redman

Rob Westerberg

Rob Westerberg

Barbara Cohen, Gallery Ehva

Barbara Cohen

Ken Horii, Gallery Ehva

Ken Horii

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Jenny Humphreys
René Lamadrid
Bill Liebeskind
Susan Lyman
Diane Messinger
Andy Moerlein
Henry Moore
Ewa Nogiec
David Paulson
Cyndi Wish

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Schedule 2016
Schedule 2015
Schedule 2014
Schedule 2013
Schedule 2012
Schedule 2011
Schedule 2010
Schedule 2009

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